LIFANIMA 2025 — Day 2: Policy, Nationalization, and the Future of Nigerian Animation

The second day of Lagos International Festival of Animation (LIFANIMA 2025) carried the weight of expectation…

Finally! The Game-Changing Policy Every Nigerian Animator Has Been Waiting For!

At the 2025 Lagos International Festival of Animation (LIFANIMA), the Director General of the National Orientation…

Owning Your Story: How African Creators Can Win Big in the Licensing Game

“It’s not just about making a film or comic—it’s about making sure your story keeps paying…

Nigeria at 65: Tracing The Rise of Comics, Animation & Game Dev

On October 1, 1960, Nigeria became an independent nation. Sixty-five years later, the country that once…

Spoof Animation Unveils Boxsa in New Hero Corps Episode — Now Streaming on YouTube

Move Over, Strikeguard — Boxsa Is Here to Rule the Streets Lagos, Nigeria — Hero Corps…

Hero Corps 3 Teaser Hints at Explosive Street-Level Showdown

Lagos, Nigeria — Spoof Animation has just released a fresh teaser for Hero Corps Episode 3,…

LIFANIMA 2025: Everybody is Getting Animated!

From October 7–9, 2025, the city of Lagos will once again transform into the heart of…

Top 10 African Animated Films & Shorts to Watch

African animation is experiencing a golden era, with studios and creators across the continent telling stories…

Lagos Comic Con 2025: Africa’s Biggest Pop Culture Celebration Returns Stronger Than Ever

The countdown has officially begun! On Saturday, September 13th, 2025, the Landmark Event Centre, Victoria Island,…

“NAMAKASI”: An Interview with Creator Ashley Van-De-Cruize Lampkin

In the ever-expanding world of comics and animation, new voices continue to shape how stories are…

When Shadows Speak: Emmanuel Momodu on 3D Environments & Lighting

In the world of animation, every background tells a story, and every light carries emotion. At…

The Courage to Animate: Funmilayo’s Path Through a Male-Dominated Industry

She Started as an Intern… Now She Leads Nigeria’s Top Animators Animation is often described as…