Zebra Comics has teased an upcoming collaboration with DC titled Children of Ngonnso, hinting at an…
Comics
Are Comic Awards Still Worth Anything or Just Fancy Popularity Contests?
Awards were meant to celebrate excellence. But in Nigeria’s comic industry, many creators now whisper the…
Celestial Eyes Volume 1: The First Cycle, Comic Review
Celestial Eyes: Volume 1. The First Cycle introduces readers to a dark, gripping world where Nigerian…
The Creative Delusion: Why So Many Artists Stay Broke
Why do so many African creatives pour years into projects without a financial plan, then feel…
Spoof Animation at 10: An Exclusive Interview with Founder Ayodele Elegba
Dive deep into the inspiring journey of Spoof Animation’s founder, Ayodele Elegba, as he shares the…
Why Are Free Comics So Addictive in Africa? Let’s Talk About It
From piracy culture to low buying power and the devaluation of creative labor, African comic creators…
Nigerian Artist Chinonso Wilfred Brings Super Eagles’ AFCON Journey to Life Through Comic Art
Nigerian artist Chinonso Wilfred turns the Super Eagles’ AFCON journey into a vivid comic art narrative,…
Why Are Nigerian Comic Publishers Going Solo Instead of Banding Together?
While global comic industries thrive on shared universes and collective publishing, Nigerian comics remain largely solo-driven.…
10 Things You Need to Know About the Business of Making Money from Comics in Nigeria
Building a successful comic business in Nigeria now requires more than talent and passion. From IP…
Comic Review: AKOGUN: BRUTALIZER OF GODS
A brutal reimagining of Yoruba mythology, AKOGUN: Brutalizer of Gods delivers unfiltered vengeance, flawed gods, and…
Beautiful but Empty: Are Nigerian Comics All Art and No Story?
Nigeria’s comic industry is bursting with visual talent, but many creators say writing is being sidelined.…