African comic artist Ejob Nathaneal Ejob has officially joined DC Comics’ global anthology lineup as an…
Comics
Sharjah Animation Conference 2026 Opens Early Momentum as Pre-Registration Goes Live
Sharjah Animation Conference 2026 is set to return as a major global gathering for animation professionals,…
Comic Review: THE FAT GOD – Issue 1 (MOVIX COMICS)
THE FAT GOD, Issue 1 by MOVIX COMICS is a gripping blend of action, mystery, and…
Zebra Comics and DC Announce Upcoming African-Centered Comic, Children of Ngonnso
Zebra Comics has teased an upcoming collaboration with DC titled Children of Ngonnso, hinting at an…
Are Comic Awards Still Worth Anything or Just Fancy Popularity Contests?
Awards were meant to celebrate excellence. But in Nigeria’s comic industry, many creators now whisper the…
Celestial Eyes Volume 1: The First Cycle, Comic Review
Celestial Eyes: Volume 1. The First Cycle introduces readers to a dark, gripping world where Nigerian…
The Creative Delusion: Why So Many Artists Stay Broke
Why do so many African creatives pour years into projects without a financial plan, then feel…
Spoof Animation at 10: An Exclusive Interview with Founder Ayodele Elegba
Dive deep into the inspiring journey of Spoof Animation’s founder, Ayodele Elegba, as he shares the…
Why Are Free Comics So Addictive in Africa? Let’s Talk About It
From piracy culture to low buying power and the devaluation of creative labor, African comic creators…
Nigerian Artist Chinonso Wilfred Brings Super Eagles’ AFCON Journey to Life Through Comic Art
Nigerian artist Chinonso Wilfred turns the Super Eagles’ AFCON journey into a vivid comic art narrative,…
Why Are Nigerian Comic Publishers Going Solo Instead of Banding Together?
While global comic industries thrive on shared universes and collective publishing, Nigerian comics remain largely solo-driven.…