African comic artist Ejob Nathaneal Ejob has officially joined DC Comics’ global anthology lineup as an…
Nigerian Comics
Comic Review: THE FAT GOD – Issue 1 (MOVIX COMICS)
THE FAT GOD, Issue 1 by MOVIX COMICS is a gripping blend of action, mystery, and…
Are Comic Awards Still Worth Anything or Just Fancy Popularity Contests?
Awards were meant to celebrate excellence. But in Nigeria’s comic industry, many creators now whisper the…
Celestial Eyes Volume 1: The First Cycle, Comic Review
Celestial Eyes: Volume 1. The First Cycle introduces readers to a dark, gripping world where Nigerian…
The Creative Delusion: Why So Many Artists Stay Broke
Why do so many African creatives pour years into projects without a financial plan, then feel…
Why Are Free Comics So Addictive in Africa? Let’s Talk About It
From piracy culture to low buying power and the devaluation of creative labor, African comic creators…
Why Are Nigerian Comic Publishers Going Solo Instead of Banding Together?
While global comic industries thrive on shared universes and collective publishing, Nigerian comics remain largely solo-driven.…
10 Things You Need to Know About the Business of Making Money from Comics in Nigeria
Building a successful comic business in Nigeria now requires more than talent and passion. From IP…
Comic Review: AKOGUN: BRUTALIZER OF GODS
A brutal reimagining of Yoruba mythology, AKOGUN: Brutalizer of Gods delivers unfiltered vengeance, flawed gods, and…
Morak Oguntade Receives the Lifetime Achievement Award: A Legacy Drawn in Ink, Laughter, and Culture
With a career spanning more than four decades, Morak Oguntade stands as one of the most…
Celebrating Creativity: Symphonii Studios Takes Home Comic Studio of the Year at The Nice Awards 2025
Symphonii Studios, founded in Abuja in 2015, has grown into one of West Africa’s most exciting…
Zadok Comics Takes the Neophyte Award at The Nice Awards 2025 for Heroes of Faith
Zadok Comics has been named Neophyte Award winner for Heroes of Faith, an anthology series that…